FREEHAND BOOKS HOSTS SPRING BASH AT THE GLADSTONE HOTEL
You’re cordially invited to party with Freehand Books at our spring bash to celebrate the launch of three new titles.
April 30: Freehand Books Spring Bash celebrating new works by Julie Wilson, Alex Leslie, and Ian Williams.
An enigmatic young musician experiences the rise and fall of his career, as told through videos posted to YouTube. In a series of almost-love poems, people continually rev themselves up to the challenge of connecting with each other, often to no avail. Canada’s pre-eminent literary voyeur shares fictional biographies of people seen reading on Toronto transit.
Swing by the ballroom at the Gladstone Hotel on April 30 to hear these stories and more. Freehand authors Julie Wilson, Alex Leslie, and Ian Williams will present their new books, and there will be free snacks, a cash bar, and a few games to boot. Not too shabby for a Monday night...
Freehand Books Spring Bash.
launching Seen Reading by Julie Wilson, People Who Disappear by Alex Leslie, and Personals by Ian Williams
The Gladstone Hotel, 1214 Queen Street West (ballroom)
April 30, 2012
Doors at 7:00 p.m., readings at 7:30 p.m.
Free
About Seen Reading:
Seen Reading is the exciting debut collection of microfictions from Canada’s pre-eminent literary voyeur, Julie Wilson. Based on the beloved online movement of the same name, Seen Reading collects more than a hundred stories inspired by sightings of people reading on Toronto transit, each reader re-invented in a poetic piece of short fiction. Tender, poignant, and fun, Seen Reading offers readers an inspired fictional map while charting an urban centre’s cultural commitment to books and literature.
"Beneath the surface of Julie Wilson’s energy, biting wit, and quirkiness lays intelligence and insight—a fresh observer to the dynamic ways in which we communicate."—Anthony De Sa
About People Who Disappear:
Sometimes romantic, sometimes elegiac, Alex Leslie's coastal stories take place in ocean inlets and city streets. Haunted as much by technology as by their own ghosts, Leslie's characters face the disappearance of sanity, love, and landscape. An electric, poetic debut.
"Leslie's dark tones are reminiscent of Rebecca Brown, but she is a creative force all her own. Her star is rising. Watch for her."—Hiromi Goto
About Personals:
These are not love poems. These are almost-love poems. Jittery, plaintive, and fresh, the poems in Ian Williams’ Personals are voiced through a startling variety of speakers who continually rev themselves up to the challenge of connecting with each other, often to no avail. Williams writes in traditional poetic forms: ghazals, a pantoum, blank sonnets, mock-heroic couplets. He also invents his own: poems that spin into indeterminacy, poems that don’t end. With a deft hand and playful ear, Williams entices the reader to stumble alongside his characters as they search, again and again, for intimacy, for love, and for each other.